The Dance Studio Is My Other Meetinghouse

Heather Bryce company. All photos © Arthur Fink.

Like many Friends Journal readers, I find that meeting for worship (typically in a Quaker meetinghouse) is where I most readily connect deeply with Spirit, seek guidance, offer thanks for the abundance of my life, and honestly feel the pain and confusion that sometimes dominate life’s moments.

I usually come away lifted up and knowing that I’m not alone and that when I look upward and ask, what am I to do? or, how should I stand? an answer will likely be forthcoming. Meetings for worship don’t always bring good news, but they do bring welcome news, needed guidance, and appreciation for the compassionate community that surrounds me.

One afternoon changed my life. That afternoon I had arranged to photograph a modern dancer in my new photo studio. I had no particular poses in mind—I just asked her to move comfortably in her own rhythm. The time passed easily, and I was thrilled with her beautiful movements, with the patterns she created against a simple white backdrop, and with her ability to speak simply by the movements and positions of her body.

But the real thrill came after the film was developed and I had a contact sheet (showing all the images) in front of me. Indeed, it had been a dance that engaged me, as I had experienced the creation of new choreography: a living, moving rendition of God’s grandeur. From that day onward, the dance studio became my other meetinghouse, where miracles happened every day and where both the dancers’ and my own creativity came alive and found new expression.


Can I call this worship? It’s a private worship for me. I don’t invite the dancers with words like worship, nor do I speak or think prayers or affirmations. But I know that a spirit of grace enters my life each time I set forth in these sacred spaces. I do expect that most of the dancers I work with understand this.

I began to set foot often in dance studios in 2005 when I became the resident photographer at the Bates Dance Festival, which is held each summer in Lewiston, Maine. There I had virtually unlimited access to classes, rehearsals, and choreographic sessions. I could photograph all of this, as well as the visiting dance artists as they embraced their own bodies and began developing new works. And now I also work with many dancers throughout the Northeast and beyond.

In the midst of this mecca of creativity, I wrote the following as an introduction to my first book of dance photography:

I document the work and energy that goes into dance—not just the final performance. Being in the studio as dances are created, or even as dancers prepare themselves, feels like being in a delivery room as children are being born. Amidst pain or anguish . . . tempered with rhythm and support, and bolstered with faith, new life emerges. It’s physical, sometimes sensual, often spiritual. Too often this process is ignored, as image makers look only at the final result—the dance.

Documenting that work and energy is my goal, but it’s only at peak moments that I approach this state of bliss that frees me to do my most successful creative work. Just as we center into worship, I have to center into my presence in that space where dance is created. Again, I must use the word “worship” to describe this experience.

Early Friends, I know, were afraid of the arts, concerned that artistic work would be a distraction from the spiritual work that is so important. Friends were cautioned to avoid the arts, to not have pianos or other instruments in their homes, and to shun any possible distractions. What a shame!

My testimony is simple: creating and experiencing any artistic work is both a way to encounter our spiritual center and to express it. If we can stop measuring our artistic attempts and just look for the purity and passion of our intent, we will find that our lives are filled with even more spiritual nourishment.

Correction: The photo of the dancers hanging from the building does not contain full credit in the print edition. It should include the indication that the performers are with the BANDALOOP Dance Company.

Arthur Fink

Arthur Fink is a photographer of dance and other subjects; a sought-after speaker; a consultant helping organizations with mission, focus, communication, and conflict; a mentor to many; and co-recording clerk of Portland (Maine) Meeting. His most recent show was of photographs taken at Auschwitz and Birkenau.

4 thoughts on “The Dance Studio Is My Other Meetinghouse

  1. Hello Arthur,

    Thanks for posting your photos along with your observations.

    You wrote that the dance studio has become your other meetinghouse.
    you also wrote that ” creating and experiencing any artistic work is both a way to encounter our spiritual center and to express it.”

    My own experiences are in line with your observations.
    I am a musician at a local level who has accompanied dancing.
    I have also performed traditional dance, and danced for recreation.

    Here are my thoughts:

    Human communication is not just verbal.

    We often accompany our spoken messages by gestures, body language, and facial expressions.

    Sometimes, we use nonverbal communication instead of spoken messages.

    Instrumental music, song, and dance all have communicative value.

    For me, the acts of improvising a dance or a tune seem related to “speaking out of the silence” in a Meeting for Worship.

    Dancers and their accompanists need to listen carefully to one another and watch one another to communicate with one another.

    In a Meeting for Worship, we are called to listen to the Spirit, and to one another.

    I have been lucky to appreciate music both as an “artist,” and as a “scientist” and clinician.

    We have learned a good deal about how the brain processes language (hearing, listening, speaking, reading, and writing).

    We have learned considerably less about how the brain processes other forms of communication, like music, gesture, and dance.

    My impression is that the link between spirituality and our various communication processes has been studied even less.

    I am fascinated by some recent brain imaging studies that show interesting changes in brain activity during meditation.
    I do not find such findings incompatible with my worship or spiritual practice.

    If anyone may be interested, I would be happy to share information about an academic research paper that I found online.

    The conclusion of the article stated that there is a biological reason for the positive effects of meditation.

    Joy, health, love, and peace,
    Brian Humphrey

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