Consolation

Entrance to the Quaker Cemetery in Leicester, Mass., 2025. Photo by Cucumberchester from commons.wikimedia.org.

On a loose stone atop the bluestone wall
by the gate, this lichen’s a rough oval
of concentric bands in sage- and olive-green.

I’ve seen this pattern in homey braided hearth rugs,
also the colors. But sometimes I unnerve myself,
imagining it glows after dark. Were it the size

of a welcome mat, its stiffness might tempt me
to wipe my feet—then to think twice, leery
of chemical burn. In fact, the lichen’s

acids are eating the rock—slowly, slowly—
producing a granulate my descendants could sift
with their toes. Which is consoling in its way.

I know an old Quaker cemetery tucked into woods
on a mountain-side: a few rude stones upright still,
others tipped against trees or hugging the earth.

All lichen-splotched, names ruinously weathered.
It’s steadying to stand in its dappled shade where
moldered flesh and dissolving stone converge:
the kinship of matter’s so evident there,

the intimacy of dust to dust.

Anne Richey

Anne Richey, a former adjunct professor at New York University, moved to Upstate New York in 2000, where she taught for Bard College’s Lifetime Learning Institute, covering both contemporary American and nineteenth-century American poets. She is the author of Church of the Robin’s Ha-Ha!: John Burroughs’ “Natural” Religion and Other Poems. After many years in New York, she recently moved to Memphis, Tenn., where she attends Memphis Meeting.

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